April 2026

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[Local Eateries and Their Rice-with-Toppings]

In the many countries I have visited, I have encountered various forms of "rice-with-toppings" (bukkake-meshi), each unique to its land. Sometimes it takes the form of a single curry sauce poured over rice; at other times, a hearty dish filled with chunks of meat and vegetables, similar to happosai, is draped over the top. Then there are the styles where you choose your favorite side dishes from a long counter to be arranged little by little on your plate.

The most memorable among these were the dishes I had in Vanuatu and the Solomon Islands in the South Pacific. When you pick your favorites from a long line of dishes, they serve a generous portion of each right onto your rice. Chinese cuisine is a common part of daily life there, and the flavors felt somewhat nostalgic—a deliciousness that suits the Japanese palate perfectly. I still vividly remember that taste, scooped up and enjoyed all at once with a spoon.

In a street corner in Taiwan, where I arrived late at night, I found a similar menu. A plate of rice topped with small portions of colorful sides: sweet and savory braised pork, juicy tofu soaked in flavor, and stir-fried chicken with green beans. In my opinion, the secret to enjoying this style of rice is to choose at least one dish with plenty of sauce. As the savory liquid seeps into the rice, it creates a sense of unity and an irresistible feeling of satisfaction. I highly recommend it for those who want to try a little bit of everything delicious.

Longing to recreate that atmosphere of a local eatery at home, I made "Cajun Tomato Stew with Mackerel and Potatoes" using ingredients I had in the refrigerator. The exotic aroma of Cajun spices paired with the fresh acidity of tomatoes—with just one bite, I felt as though I were in a foreign diner, all while sitting in my home in Kyoto.

The many styles of rice-with-toppings I have tasted in various countries seem to condense the daily lives of the local people. If you ever set out on a journey, I encourage you to look for the local version of this dish. Within that unpretentious plate, you are sure to find new discoveries and a deliciousness that lingers in your heart.

Cajun Tomato Stew with Mackerel and Potatoes

Ingredients (Serves 2):
1 can of mackerel (in brine, including the liquid)
1 potato
1 small onion
2 medium tomatoes (diced)
Cilantro, to taste
1.5 tbsp Cajun spice
A pinch of other spices (such as cumin or garam masala, if desired)
1 clove each of garlic and ginger (minced)
A pinch of salt
Olive oil, as needed

Directions:
1. Heat olive oil, minced garlic, and ginger in a frying pan. Add the sliced onion and the potato, cut into small, bite-sized pieces. Sauté over medium heat for a few minutes until the surfaces of the onion and potato become slightly translucent.
2. Add the Cajun spice and sauté over low heat until fragrant. If using other spices, add them at this stage.
3. Add the tomatoes and sauté until they release their juices. Add the mackerel along with its liquid and simmer for 5 to 10 minutes until the potatoes are tender and the flavors have blended. Add a small amount of water if the mixture seems too dry. Adjust the taste with salt.
4. Serve rice on a plate and pour the stew over it. Top with plenty of chopped cilantro if desired.

Ichiyougama's Deep Plate
https://www.shokunin.com/en/ichiyou/deep.html
Rikucho Ogasawara's Fish Pan
https://www.shokunin.com/en/rikucho/fishpan.html
Okubo House Mokkosha's Ladle Spoon
https://www.shokunin.com/en/okubo/otama.html
Honma Kazuo Shoten's Straw Pot Stand L
https://www.shokunin.com/en/honma/nabeshiki.html

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[On Naoto Fukasawa]

The design philosophy of Naoto Fukasawa, one of Japan's leading product designers active on the global stage, is centered around the concept of "Without Thought." This approach focuses on the actions and habits people perform naturally without thinking, drawing out beauty and convenience from within them. It is about creating things that become so integrated that their presence is taken for granted. Designs that blend into the background of daily life provide a sense of comfort without making the user conscious of them. Items that do not assert themselves are not swayed by trends and do not grow old, even as eras change.

This philosophy shares common ground with the Mingei (folk crafts) movement advocated by Soetsu Yanagi. The "beauty of utility" (yo-no-bi) that Yanagi spoke of is the idea that true beauty lies in the vessels and tools made by nameless craftsmen for everyday use. These forms are born not from individual expression or self-assertion, but from following nature and tradition. I feel that Fukasawa's designs are deeply connected to this very idea.

His stance is not to create something "special," but rather that "the form is on the other side." Here, "the other side" refers to people and the environment (space). It is the idea that a design does not exist as a standalone object, but is born within the relationship between people and things. Instead of imposing a designer's individuality, he scoops up the "ordinary" forms that lie deep within people's memories. For example, the MUJI wall-mounted CD player, which is in the collection of MoMA (The Museum of Modern Art, New York), was inspired by the everyday action of pulling a cord on a ventilation fan. By giving shape to that natural behavior, he created a comfort that exists outside of conscious awareness.

What Fukasawa refers to as the "archetype" of design is the ordinary form that everyone knows. It is a paradoxical aesthetic: the more the creator's self-expression is stripped away, the more universal beauty and function emerge. In other words, I believe Fukasawa is reinterpreting what the Mingei movement practiced in the world of crafts as modern industrial design. From this perspective, I find myself newly fascinated by the "new ordinary" forms that will be born in the times to come.

The "SIWA" series handled by Shokunin.com is a collaboration between Fukasawa and Onao, a washi paper manufacturer in Ichikawadaimon, Yamanashi Prefecture. Fukasawa discovered that crumpling "Naoron"—a tear-resistant shoji paper—creates a unique texture, expanding the possibilities of paper as an everyday item. It is truly a design that dissolves into daily life.

SIWA's Book Cover
https://www.shokunin.com/en/siwa/bookcover.html
SIWA's Box
https://www.shokunin.com/en/siwa/box.html

References
https://naotofukasawa.com/about/
https://designcommittee.jp/member/fukasawa_naoto.html
https://www.axismag.jp/posts/2021/03/349572.html
https://www.hermanmiller.com/en_lac/stories/why-magazine/asari-chair-by-herman-miller-naoto-fukasawa/
https://www.2121designsight.jp/documents/column/cat598/

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[Cherry Blossom Spots Discovered in Yoichi]

When I traveled toward Yoichi last year to see the cherry blossoms, I realized that the town is dotted with wonderful spots I had never noticed before. While they may lack the flashiness of major tourist destinations, many of these trees are deeply connected to the local history and daily life, creating truly memorable landscapes.

Three locations left a particularly strong impression on me: the Former Yoichi Fukuhara Fishery, the rows of cherry trees along the Yoichi River behind the Nikka Whisky Distillery, and Maruyama Park.

The Former Yoichi Fukuhara Fishery was designated a National Historic Site in 1982. Although it doesn't have a large number of trees, it is a precious place where you can enjoy historic fishery architecture and cherry blossoms simultaneously. When I visited, there were almost no other tourists, and time seemed to flow quietly and calmly. The contrast between the dignified presence of the old buildings and the soft, blooming flowers was beautiful, making me feel as if time had stood still. On a clear morning, the light enters gently, making the shadows of the buildings and blossoms stand out clearly—a perfect spot for those who want to gaze at the flowers to their heart's content.

In contrast, the rows of cherry trees along the Yoichi River, flowing behind the Nikka Whisky Distillery, offer an overwhelming spectacle with blossoms lining both banks along the promenade. It is a place where you can enjoy hanami casually while strolling down the long path. Here, the cherry blossoms blend naturally into everyday life; locals walk their dogs or take a rest on benches. Amidst them, I saw foreign tourists from across Asia capturing photos of the river and blossoms, making me realize that the spring scenery of Yoichi is loved across borders. When the wind blows, petals dance upon the water's surface, allowing one to deeply feel the fleeting nature of Hokkaido’s short spring.

Maruyama Park is an open park situated on a hill overlooking the town and the sea. Several cherry trees are planted within the grounds, and when they reach full bloom, the entire park is wrapped in a soft spring hue. While it requires a bit of a climb up the slope, the view of Yoichi through the cherry blossoms is exceptional. I was struck by the sight of families spreading out picnic mats and people taking photographs, each spending their time in their own way. Here too, I saw international tourists enjoying the blossoms and the view in a peaceful atmosphere, making the scenery feel even richer.

The cherry blossoms in Yoichi do not shout for attention; instead, they bloom as if gently nestling close to the history of the land and the lives of its people. This year, flowering is expected to be earlier than usual. Even in the midst of busy days, if you find yourself longing for the touch of spring, perhaps you might recall the landscapes of Yoichi, where you can quietly face the cherry blossoms.

Otaru Showroom
https://www.shokunin.com/en/showroom/otaru.html
Former Yoichi Fukuhara Fishery
https://www.town.yoichi.hokkaido.jp/machi/syoukai/fukuharagyoba.html
Yoichi River Cherry Trees
https://yoichi-kankoukyoukai.com/kankouspot/余市川桜並木/
Maruyama Park
https://www.town.yoichi.hokkaido.jp/kurashi/kurashinojouhou/douro/maruyama.html