April 2023

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[The Key Is to Be Excited]

Mr. Samiro Yunoki celebrates his 100th birthday in October 2022. He continues to create with a lively spirit under the motto, "If it's not fun, it's boring."

Born in 1922 in Tabata, Tokyo, Yuzuki was introduced to mingei (folk art) by Muneyoshi Yanagi and Keisuke Serizawa's stencil-dyed calendars, and became an apprentice to Serizawa to pursue a career in dyeing. He also worked on picture books, prints, and three-dimensional works. In recent years, she has collaborated with the interior store IDÉE and the Ace Hotel in Kyoto, and he is still an active artist with many fans in Japan and abroad. Just a few years ago, in the fall of 2019, he traveled to Paris to hold a solo exhibition and celebrate his 97th birthday. When his family was suddenly informed that he was going to Paris, they were all surprised and said, "That's impossible......."

Mr. Yunoki was especially attracted to Paris, France. It all started at the end of the Meiji era (1868-1912), when his father, who studied painting in Paris with the aim of becoming a Western-style painter, repeatedly told him how much France valued culture and art, and he grew up with a latent yearning for Paris. His first visit to Paris was in 1967 at the age of 45, when he stopped in Paris during a two-month trip to Europe to show his work in an international exhibition. He continued to hold solo exhibitions of dyed fabrics for three consecutive years starting in 2008, and in 2014, he held a major textile exhibition at the Musée National des Arts Orientales Guimet, which serves as the Louvre Museum's Oriental section. It was a commemorative exhibition that permanently housed some 70 works in Paris. It must have been such a wonderful time, as if love had come true.

In addition to his works of course, each word that Mr. Yunoki speaks is always easy to understand and easily absorbed into one's mind. This is probably due to the accumulation of his many experiences. He says that he became aware of what he liked and at what point in his life he was standing when he was over 80 years old. Until then, he had no time to think about what he liked. In today's busy, repetitive daily life, the past few years when people all over the world have been stuck, I suddenly thought that perhaps it is precisely because we live in such an era that we have been given time to stop and think. And the important thing is to be excited. It is not about special luxuries, but about concentrating on the various "things" and "events" in our daily lives, and finding joy in them, rather than having them given to us by others. I reconfirmed that this is exactly what "mingei" is all about.

Yunoki's work is always warm and inviting, and I feel that it has become more and more sophisticated with time and age. If you have a chance to see his works in person, please visit him. All of his works always wrap you up with a smile and a sense of the exciting rhythm of life. Currently, "Hello Saikachi-kun" is at Gallery TOM in Shibuya, Tokyo. At Muji in Berlin, Germany, a solo exhibition "Hello World! Hello Future!” is being held.

Shokunin.com also offers bags, book covers, pen cases, and other items made of Naoron, which is silk-screen printed in the same size as the original pattern created by Yuzuki, to commemorate the 10th anniversary of Siwa. Quantities are limited, so don't delay! Flat Bag Screen Printing S pattern 01 and Book Cover Screen Printing pattern 05 are also on display at our Ginza Showroom, so please stop by. We look forward to seeing you at the over 90-year-old Okuno Building.

SIWA's Screen Printing
https://www.shokunin.com/en/siwa/yunoki.html
Ginza Showroom
https://www.shokunin.com/en/showroom/ginza.html

References
https://www.samiro.net/index1.html
https://www.samiro.net/notebook/2014.html
https://www.tokyo-np.co.jp/article/118304
https://www.gallerytom.co.jp/exhibition.html
https://www.idee-lifeinart.com

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[Omikuji]

Everyone in Japan has drawn omikuji (a paper fortune) at the beginning of the year or when starting something. Omikuji is a uniquely Japanese cultural practice that evolved in Japan, and is used at temples and shrines throughout Japan to divine personal fortune and good fortune. It is customary to receive words written on paper, such as waka poems at shrines and Chinese poetry at temples, to guide one's life.

In ancient times, when important matters related to national politics or the selection of successors were discussed, a lottery was sometimes drawn to divine the will of a deity, and this is believed to be the origin of the "mikuji."

The present-day omikuji found in many shrines and temples originated at Enryakuji Temple on Mount Hiei, the head temple of the Tendai sect of Buddhism. Ryogen, known as the founder of Enryaku-ji Temple and also known as Ganzan Daishi or Jie Daishi, created the original "Ganzan Daishi Hyakusen," the original Japanese omikuji, based on an old lottery called "Tenjikureisen" that came from China during the period of the Northern and Southern Dynasties to the early Muromachi Period. The original form of this lottery is said to have been created by having the visitors draw one of the 100 verses of a five-word, four-phrase chorus said to have been given by Kannon Bodhisattva and instructing them on the path they should take based on the chorus.

During the Edo period (1603-1867), this Ganzan Daishi Hyakusen became very popular and spread throughout Japan. In the Meiji era (1868-1868), the new government issued a decree separating Shintoism and Buddhism on March 13, 1868, which prohibited shrines from using omikuji that had Buddhist origins, and prompted the development of original omikuji for shrines. From there, waka poems were often placed on omikuji at shrines and Chinese poetry at temples.

Nowadays, there are also many playful omikuji and doll omikuji that can be used as ornaments. Ceramic and carved wooden omikuji are also seen. The most famous carved wooden omikuji are probably Oumamikuji of Kamigamo Shrine in Kyoto Prefecture and Shikamikuji of Kasuga Taisha Shrine in Nara Prefecture.

Mekari Shrine in Moji Ward, Kitakyushu City, has a wooden carved Fukumikuji. Mekari Shrine is located at the northernmost tip of Kyushu, and the Kanmon Strait in front of the shrine is famous for fugu (blowfish), which in this region is called "fuku" for good luck. The figures, carefully carved one by one by craftsmen, are warm and inviting. With a fortune attached to the gift, doesn't it also feel very auspicious?
 
Mekari Shrine
https://www.mekarijinja.com/
Wakamatsu Showroom
https://www.shokunin.com/en/showroom/wakamatsu.html

References
https://ja.wikipedia.org/wiki/%E3%81%8A%E3%81%BF%E3%81%8F%E3%81%98
https://www.jinjahoncho.or.jp/omairi/osahou/omikuji
https://thegate12.com/jp/article/421

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[Otera Kohachiro Shoten's Otera no Ohinasama has been added]

Designed and prototyped by sculptor Masumi Tosaka. This palm-sized doll is suited for modern life. Although small, the prototype is faithfully copied by precision casting of lost wax, so that you can enjoy the warm and gentle expression of the dolls.

For those who often relocate or move to a new place, the small Hina dolls will go with you wherever you go. It is also recommended as a gift for a young lady who will celebrate her first Doll's Festival overseas.

As Sei Shonagon, a female writer in the Heian period, said in her book "The Pillow Book," "Everything that is small is cute." It evokes a warm feeling of "kawaii."

Otera Kohachiro Shoten's Otera no Ohinasama
https://www.shokunin.com/en/otera/ohinasama.html