November 2021

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Utagawa-Kuniyoshi,_Self-Portrait,_Shunga_album,_1839

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[The Olden Days of Tenugui]

Tenugui, or Japanese towel, was originally a textile made of hemp or silk, and was used as a cloth for cleaning statues and decorations of gods and Buddha in the Nara period in ancient times. In the Heian period, cloth was still very expensive and could only be worn by people of high status who presided over festivals. Later, through the Kamakura and Muromachi periods, it came to be widely used by the common people during the Age of Civil Wars. In "Konjaku Monogatari," a collection of tales established at the end of the Heian period, the word "tanogoi" appears, which is thought to refer to today's Japanese towels.

In the Edo period, cotton was successfully cultivated on a large scale, and along with the spread of cotton textiles, tenugui became widely used as a daily necessity in the lives of ordinary people. Around this time, the production of tenugui as a fashion item also began to flourish, and tenugui dyed with various patterns were born. Stylish and sophisticated Edo people enjoyed wearing them as fashion accessories, wrapping them around their necks like a muffler or draping them over their shoulders. There were also many different ways to wear it depending on the type of job or role, and the way it was used in Kabuki plays became a boom among the common people of Edo. It was around this time that the use of tenugui as business items became widespread, as Kabuki actors, sumo wrestlers, and rakugo storytellers began handing out tenugui with their own crests as business cards, and stores began handing out tenugui with their names on them to their customers for advertising purposes.

The edges of tenugui are usually left uncut so that the fabric can be torn and used immediately. In the Edo period, people used to tear off a tenugui to give first aid to an injured person or when the geta strap was broken. It also has the advantage that the edges are not sewn, which makes it easy to drain and dry quickly. It is very useful when traveling or on the go.

Okai Mafu Shoten's Hemp Tenugui is woven from hemp, which is characterized by its light touch. They are specially woven with hemp and cut at Okai Mafu Shoten to make them. It is also on display in our Sanjo Showroom, so please feel free to take a look at it when you visit us.

Okai Mafu Shoten's Hemp Tenugui
https://www.shokunin.com/en/okai/tenugui.html 
Sanjo Showroom (Open all year round, 12:00-18:00, except for New Year's Eve)
https://www.shokunin.com/en/showroom/sanjo.html 

References
https://ja.wikipedia.org/wiki/%E6%89%8B%E6%8B%AD
https://kyo-ya.net/tenugui/knowledge/%E6%89%8B%E6%8B%AD%E3%81%84%EF%BC%88%E3%81%A6%E3%81%AC%E3%81%90%E3%81%84%EF%BC%89%E3%81%AE%E7%AB%AF%E3%81%8C%E7%B8%AB%E3%82%8F%E3%82%8C%E3%81%A6%E3%81%84%E3%81%AA%E3%81%84%E7%90%86%E7%94%B1/

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[Japanese Handwork Calendar]

The heartwarming stencil dyeing calendars are made by Mr. Koichi Odanaka, the third generation of Odanaka Dyeing Studio in Shiwa-cho, Iwate Prefecture. He studied under Mr. Keisuke Serizawa, a dyeing artist who is a living national treasure, and was shocked to see what was possible with dyeing when he saw his creative works using a single piece of stenciled paper without being bound by any boundaries.

There are five processes involved in a single piece of work: stencil carving, stretching, glue placement, color insertion, and mizumoto. Why does stencil dyeing give us such a warm feeling? People draw, people carve, people put glue on, and people add color. The texture and individuality created by such a traditional process make us feel at peace.

There are only a few of these calendars featuring Japanese handicrafts left, but they are now available at our three showrooms. It is also a great gift for this time of year and the end of the year. Let's be kind to others and ourselves and smile in 2022.

Teshigoto Forum's Japanese Handwork Calendar
https://www.shokunin.com/en/teshigoto/calendar.html 
Showrooms
https://www.shokunin.com/en/showroom/ 

Reference
https://colocal.jp/topics/art-design-architecture/monozukuri/20170808_100586.html

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Located in Ohara in the northern part of Kyoto City, Sanzenin Temple, which boasts a grand scale, is famous for its autumn foliage, which can be enjoyed earlier than in the city center, from early to mid-November, because of its proximity to the mountains.

This temple, with a history of more than 1,000 years, is located about an hour from Kyoto city. It is a temple of the Tendai sect of Buddhism and has a long history of having royal family members and nobles as its priests. The temple's precincts, which make good use of the natural terrain, include buildings that serve kyakuden (reception hall) and shinden (Emperor's residence), as well as two beautiful gardens, Shuheki-en and Yusei-en Gardens.

One of the highlights is the autumn foliage scenery around the Ojo Gokuraku-in Hall, which stands like a floating temple in the beautiful Yusei-en Garden with its cedar trees and moss. On the other hand, the beautifully trimmed Shuheki-en Garden in front of the kyakuden was created by Sowa Kanamori, a tea master who is said to have learned the tea ceremony from Sen no Rikyu, the most famous master of sado.

When you come to Kyoto, please take our walking goods with you and enjoy the beautiful garden of Sanzenin Temple, where the soft colors of the leaves are calculated to be typical of Japan.

m+'s Millefoglie 2
https://www.shokunin.com/en/mpiu/millefoglie2.html
m+'s Straccio
https://www.shokunin.com/en/mpiu/straccio.html 

References
https://souda-kyoto.jp/guide/spot/sanzenin.html 
http://www.imamiya.jp/haruhanakyoko/colored/info/sanzen.htm 
https://caede-kyoto.com/